Aborigen

Single-camera show, slowly pulling in tight as lights come up. We see our host, Noel Cantu, dressed in an olive wool suit, leaning excitedly in his lounge chair and rubbing his palms. Across from him is a woman in an identical chair: she has opted for a sleek black dress showing off defined calves and glossy black stilettos. Her coppery hair piles in waves over her bare shoulders, and her intense dark eyes are darting about nervously as she struggles to hold a smile. Rings glint on her fists, balled in her lap. Between them is a small, low table with two single rocks glasses and a squarish bottle with a rippled surface.

NOEL: Hello and welcome back to Intimate Interviews, where we engage intimately with your favorite Size Fantasy creators. Today, it’s my distinct honor to greet a lovely person who hardly needs my introduction. You’ll recognize her from such favorite films as Crushed Expectations, A Tiny Problem, and the cult favorite, Men at My Mercy. She’s a household name for Size Erotica fans, so please join me in welcoming Claudia Drake, better known as Giantess Tyanna!

CLAUDIA: (looking around) What the fuck … what the fuck is this?

NOEL: (turns the bottle slightly) It’s my favorite blue agave tequila, no brand of great esteem, but I like it. Claudia, or should I say Giantess Tyanna, permit me to confess that I’ve been a fan of yours ever since I first saw you in A Tiny Problem. You had an earnestness, a real viciousness in that one that we don’t often see outside of Hollywood. You really made me believe those little guys were in real danger! It haunted my dreams for a long time, so it’s a particular thrill to finally get to meet you.

CLAUDIA: Thank you, uh, Noel. It’s … a pleasure to be here.

Claudia finally turns bodily toward Noel, forcing a brighter smile for the camera, flipping her hair back over one shoulder. We just make out a tiny gold person hanging from her earlobe.

NOEL: You’ve built such an impressive career in a niche that is, frankly, and no pun intended, preciously small, yet you’ve done very well for yourself. Your website shows that there’s no shortage of fans waiting for you at erotica and adult film conventions on either coast. But tell me, tell your fans (gestures toward the camera), how did this all begin for you?

CLAUDIA: Well, I … (struggles to find her groove) It’s been a wild ride, of course. Straight out of high school, I went into the Air Force to help pay for school, but in my third year of college I saw an ad for an up-and-coming modeling agency. I’ve never had a problem with, you know, attracting people, so I thought I’d give that a shot.

The view cuts away to a slow montage of several photos of Claudia in her 20s, doing runway work, posing with a glittering sash and holding a bouquet, and some elegant poses for clothing and shoes.

CLAUDIA: I enjoyed that time, I regret nothing, but I have to admit I felt like there was something more waiting for me.

NOEL: Something bigger?

CLAUDIA: (strangled laugh) Yes, that would be … yes, like that. There’s only so far you can get with opening new strip malls and hosting car shows. One day, after a photo shoot, I was approached by an indie filmmaker, Brendon Holder—

NOEL: (to the camera) The visionary behind Footstep Canyon Studios, of course.

CLAUDIA: Exactly, and he was very kind and flattering. He told me I had this larger-than-life energy—

NOEL: The puns are inescapable in this industry, I’m afraid.

CLAUDIA: Ha, yes, that’s true. This larger-than-life energy, and he said I’d be perfect for a project he was developing. You know this business, he could’ve been anyone. He said he was looking for a giantess for a short film, and I’m like, if that’s a pick-up line, at least it’s original.

The entire room quivers, growing smaller for a moment before relaxing to normal size. Noel quickly grabs the glasses and bottle, letting the table collapse to its side. Claudia screams and grabs the arms of her chair.

CLAUDIA: What the fuck is this, Noel? What the fuck is going on!

NOEL: (laughing, replacing the table) You should feel honored to get such a reaction! As our audience well knows, every episode of Intimate Interviews is filmed in an exclusive studio: the sexual core of our very own Scandinavian goddess, Sveipagála.

The camera pulls back to capture the details of the area: the rippled, glistening surface inside a large, pink cylinder. Lights from the sole camera glint in thin white streaks over each ridge in the gently quivering flesh. The chairs rest precariously, occasionally nodding toward each other during a gentle vulvic clench. Behind the host and his guest, a puffy orifice slowly swells and retracts, a tender node of tissue that seems to follow the conversation. The camera retreats until we see three or four fingers of two huge hands tugging open the vaginal entrance, labia stretched thin and white in the giantess’s grasp.

NOEL: Say hello to Claudia, won’t you, Sveipagála?

SVEIPAGÁLA: Jeg skal sluke dere to små mennesker.

Sveipagála’s voice is resonant with heavy bass yet distinctly matronly. The camera closes in again on Noel and Claudia; the giantess’s fingers recede from view. Claudia stares in fear and confusion at the camera as it enters.

NOEL: Delightful. Now, what was your impression when you first read Holder’s script? I believe that was for Size Matters, wasn’t it.

CLAUDIA: Are you telling me we’re inside someone? I’m inside someone’s pussy? (hair flying as she looks around, white-knuckling the arms of her chair)

NOEL: Yes, that’s exactly it. Have you never seen the show before?

CLAUDIA: Well, I’ve been very busy the last few years, and I don’t get to watch most shows. I’m sorry, I’ve heard great things about your show, I didn’t mean to … Why does it smell so nice in here? I mean, not like it shouldn’t, but …

NOEL: That’s just part of the magic of Sveipagála. We are truly blessed she condescends to work with us. But if we could get back to the script, I know our fans would love to learn how the legend of Giantess Tyanna began.

CLAUDIA: Okay, yeah. I read the script, not knowing what to expect. I’d never heard of this kink before.

NOEL: Lots of actors say that, yes.

CLAUDIA: But it was interesting. Holder had a really good sense of humor, and I stayed up all night rereading the story. I could easily see myself in that role, it felt very empowering, and there were so many possibilities for this story and all sorts of others. And the fan response was incredible, honestly.

NOEL: That’s putting it mildly! You exploded on the scene with Size Matters, and you’ve never slowed down. Can you speak more to how it feels to embody a giant woman? And that can be whether you’re towering over a city or you’re clutching little people in your fist. What is it that appeals to you so much?

CLAUDIA: I … The physicality of it, for one thing. When I walk onto the set and I see those little buildings coming up to my knees, it doesn’t feel like I’m merely acting. Something wells up inside me, I take a big, deep breath, and it feels like something powerful enters me, becomes part of me. When I stomp on a building, it’s not just me being strong enough to do that. For a second, I feel a kind of … I don’t know how to say this so it doesn’t sound awful.

NOEL: Please, speak freely. You’re among friends and admirers—this is as safe a space as you could hope for.

CLAUDIA: (pauses to look around at the thin blue veins and pockets of pale fat cells around the vaginal canal) All right, well … There’s a moment when I look down at that building, and I can see the tiny people scurrying between offices, having their little arguments, meeting their little deadlines, and I just feel a … it’s not a hatred, it’s looking down on them.

NOEL: Contempt?

CLAUDIA: Yeah, that feels right, this burning contempt for them, like the fact they dare to build these things is an insult to me, personally. When I bring my boot or my bare foot down on that building, it feels like I’m correcting something. And the best part is that no one can stop me, not their little armies, no one.

NOEL: Interesting. Are you acting in defense of the planet, or something like that?

CLAUDIA: No, nothing as large and noble as that. It’s entirely me, it’s me-driven. I’m in this world, I see these little gray blisters with the most annoying little beings in them, and it’s up to me to—aaah!!

The set rocks and contracts once more, the slick pink walls pushing the two chairs together. Noel can only rescue the bottle; the table and glasses fall with muted, wet thuds. Claudia shrieks as her chair dumps her into Noel’s lap.

NOEL: Give her a minute, we’ll be okay. This is our second season, nothing terrible has ever happened on this show.

CLAUDIA: What the fuck, Noel?

NOEL: By the looks of it, I’d say that our host giantess agrees with you on a subject that’s near and dear to her heart.

SVEIPAGÁLA: Jeg lengter etter å knuse deg i mitt skjød.

NOEL: Couldn’t have said it better myself, at least not until I restart my Duolingo account. That’s a very powerful response, Claudia! I’m sure our audience will be thrilled to hear this. Not to put anyone down, but it’s fairly obvious when an actor is going through the motions, when they can’t relate to the scene. We feel it, I feel it, when you’re feeling it. What have you heard from your fans, when you’re being a big, sexy force of nature?

CLAUDIA: Actually, can you get me a tequila?

NOEL: Avec plaisir! (bends to retrieve the nearest glass, quickly fills it halfway) Ah, I’m afraid there’s a little of Sveipagála inside there. Consider it good luck. So, your fans …?

CLAUDIA: (considers the glass warily, then knocks it back) Yeah, they’re into it. They love seeing big, strong women bulldozing their way through a city. Some of them want to be dominated, and I don’t know what’s behind that but it’s cool, and some of them just like the representation of a woman’s strength in that way. Holder had a really cool technique with what he called contrast lighting. It showed off my muscles working in my thighs and calves, it was really impressive. That’s what started me going back to the gym, to really make my muscles pop in those scenes.

NOEL: Such dedication to your craft! And duly appreciated by every one of us, I assure you. I know you’ve already touched on this, but I’d like to explore it a little more: Were you familiar with Size Fantasy before you started, at all?

CLAUDIA: I had no idea, I’d never heard of it. And I thought I was into some kinky shit, you know, BDSM, shibari, all that good stuff. Everything going on at Footstep Canyon and all their fans really opened my eyes. But once I got into it, I couldn’t get enough. (turns to look behind her) Is that her cervix?

NOEL: That it is. You’ve earned your A in biology.

CLAUDIA: I always wondered what it looked … is that blood?

NOEL: Our producers have researched this intensively, and they wish to assure our audience that a little bit of occasional spotting is completely healthy and normal. Believe me, it’s come up before. Now, speaking of your fans, once your films started taking off, what did you learn about them?

CLAUDIA: (turning fully toward Noel again, eyes bright) Oh, they’re fantastic! The people I’ve met at cons have been enthusiastic, so polite, and holy shit, they remember every little detail of everything you’ve done. This is a very creative genre, lots of people are doing really interesting things all the time, and the fans are there for it. They have a real appetite for new ideas, actors who really embody what they’ve been dreaming about, even scenarios that step back and re-explore the fantasy. Not just the extreme shit, though there’s a lucrative audience there, but after I left Footstep Canyon, I hooked up with a couple other giantesses, Lady Scarlet and Queen Kathleen, and we started Titaness Studios.

NOEL: I’ll pour one out for them. (dashes a shot in his own glass, dumps it behind the table; the room constricts and we hear a deep roar) Oh, that was ill-advised. Sorry, dear, you know I love you!

SVEIPAGÁLA: Jeg bruker tanntråd med tarmene dine.

CLAUDIA: We didn’t know what we were doing. We put out some really enthusiastic lesbian work, but I didn’t know anything about logistics. It was an educational experience.

NOEL: And now you’re with Proportional Dreamworks, yes?

CLAUDIA: (giggles slightly) Oh, breaking news! Don’t know if I should say this, but they just got a cease-and-desist, so we’re going to be Skystride Films. I guess they were asking for it.

NOEL: Have another shot. I’m glad to hear your experiences with fans have been positive. We’re all familiar with the stories when a fan doesn’t respect someone’s boundaries, doesn’t know when to stop. It’s discouraging, and we’ve lost some real talent because they don’t know how to behave and be decent. (he frowns and looks down for a moment) But let’s not weigh down the show. Have you gotten any strange requests from your fans, he asked her knowingly.

CLAUDIA: (giggles again) Oh, there have been some wild ones! I think you know what I’m talking about. I did one commissioned piece, this guy wanted a custom video where he wanted his entire family shrunken down. Like, we had to find people who looked like them. That’s kinda … whatever, but he paid very well for it. So I’m the aunt, right, and I’m hosting a family gathering at my place, like a holiday but we never say what holiday. They’re just all there, and they’ve been very distant and I’m resentful, I start talking down to them, calling them puny, and then I shrink them down. Something in their food. So for the rest of the movie, I’m stomping around, they’re running away from my shoes, lots of great POV shots, and I just start laying into them, you know, pointing out what they’re doing wrong, giving them life advice. (shrugs) I don’t know, it was weirdly wholesome … in a deeply unwholesome way.

NOEL: (clapping his hands) Oh, I love that! I love that you went for it. So! You’ve stomped on cities, crushed cars, and humiliated countless tiny men. Looking back on your career, is there a scene or a moment that stands out as your favorite?

CLAUDIA: Oh, definitely. You were talking about Size Matters, my first Footstep Canyon movie? There’s this scene where I’m towering over the city skyline at sunset. So gorgeous, great lighting, and I’m silhouetted when the scene comes up. Honestly, I love going back and looking at that. The camera comes up and I’m looking out over the city, just judging the shit out of it, left and right. All you hear is the wind and my footsteps, when I adjust my stance. Then I notice this one guy on a rooftop, standing out there by himself, filming me with his phone. Like, are you stupid, guy? (laughing) But I don’t lash out at him. Instead of getting angry, I just kinda crouch down and come up close to him, until we’re almost face-to-face. I start messing with him, like I blow him down a couple times, and I brush him with my fingernail. I make like I’m going to pick him up a couple times, and he shrieks and backs off, but he never runs away and he never stops filming me. It’s playful, I’m sparing him, but Holder really brought out the sense that he knows, and I know, that I could destroy him at any moment, if I wanted to. The little guy wants this, but he’s scared, and I’m holding myself back from wiping him out because it’s fun to mess with him in this really gentle way. That balance, the playful and the dangerous, I really appreciated that.

NOEL: (inhales slowly, closing his eyes) Yes, very nice. You have this way of making dominance look rather artful, in my opinion. What would you say sets Giantess Tyanna apart in the Size Fantasy world?

CLAUDIA: Thank you for noticing, Noel. That’s very thoughtful of you. (sits up in her seat)

The fleshy chamber constricts once more, throwing the table to the side. The chairs collide and Claudia again falls into Noel’s arms; behind her, he’s only barely rescued the tequila.

NOEL: That would be your shoes, I’m guessing, Claudia. Please don’t take this the wrong way, but would you mind removing your stilettos while we’re in here?

CLAUDIA: (shaken) Oh, of course, duh. Sorry. (yelling) Sorry, Sweeg-a-palla! She really … I love the way she smells.

The room clenches twice, gently.

CLAUDIA: What sets me apart … I think it’s my focus on the storytelling. Like I said, anyone can put on a skimpy onesie or a bikini and boots and stomp around like they’re having a bad day. No disrespect to anyone at Micromagic Pictures.

NOEL: Oh, no you din’t!

CLAUDIA: This is really good tequila. I didn’t think I liked it. But anyway, you need to tap into the fantasy’s emotional core. You know? You read the script a few times, try different voices, and no matter what else is going on in the scene, you have to decide: Am I terrifying? Am I horny? Both? Because the fans are going to pay attention to that. They will notice, believe me. Sometimes they just wanna rub one out, but sometimes they want a giantess they can care about. You should see some of the stories they’ve written about some of my roles. It’s like … it’s an incredible feeling, to be someone’s muse like that. I read those stories, and I just get the sense that they really see me, they really see what I was trying to do, and it meant something to them. In a way, these giantess videos are really an interactive experience, and I like to cultivate that.

NOEL: Do you ever get fans who want you to be the opposite?

CLAUDIA: Aw, fuck, sorry for swearing, but that just annoys the piss out of me. I made a career out of being a giantess, a rampaging giantess, a vengeful ex-girlfriend, whatever, and there’s always some jackass who wants me to be his tiny woman. He doesn’t even ask, he just starts in on some barely literate ramble about what he’d do to me if I was shrunken. Like, what the fuck, dude. Have you even seen any of my movies?

NOEL: Oh yes, like we were mentioning earlier, that’s a transgression of respect that, unfortunately, we just can’t quite vaccinate out of our community. But what I meant was, has anyone asked you to be, say, gentle or nurturing?

CLAUDIA: All the time, yeah, and actually, I like exploring that side of the fantasy. Maybe it’s not where I live, but it’s really interesting to explore. I don’t always want to be the villain, you know. Some of my favorite customs were exactly that, a loving giantess, taking care of a tiny little man, showering him in affection. I did one where I was the protector, weirdly enough. Once in a while I’d lash out at some unseen monster or something, but the rest of the time I was just holding him in my palm, holding him close to my face, whispering … That buyer actually had a very specific script. I had to reshoot that a couple times because I was crying. I’m guessing he had some specific issues, and I really hope this video helped heal him in some way. I feel like I should’ve been a psych major or something, because in this business, you really learn a lot about people’s interior worlds. They expose themselves to you and talk about things that they can’t bring up with anyone else. Sometimes I wish I was better equipped to meet that, but you know, we’re a community. We take care of each other.

NOEL: That … is disarmingly sweet of you, Claudia. I have the instinct to give you a hug, but Intimate Interviews has a strict no-touching policy for very good reason. Now, let’s circle back to your dominant side for a moment, if we may. You’ve worked in some truly iconic titles, like we mentioned at the start. (tents his fingers against his chin) If someone were new to the genre, if they were curious, what’s the one Giantess Tyanna film you’d recommend as a sort of gateway drug?

CLAUDIA: (mirrors him, tapping her chin with one blood-red nail) It’s got to be Her World, His Ruin. It’s got everything: epic city-stomping, seductive power plays, and a storyline that really leans into the idea of what it means to be a giantess. I think that’s a great sampling for a newcomer, and who knows? Maybe it’ll point them in the direction they want to go. Plus, the visual effects were at the peak of Footstep Canyon’s career, just incredible.

NOEL: (sheepishly raising his hand) I’ve seen it, loved it. Excellent choice, it’s truly a masterpiece.

CLAUDIA: Thank you. That one was definitely a labor of love.

NOEL: So, what’s next for Giantess Tyanna? Any new projects on the horizon you can talk about?

CLAUDIA: (leans back in her chair, slowly crossing her legs) I can’t say too much—I’m sure I already have—but there’s a series we’re working on at Skystride Films. It’s going to be a kind of blend of live-action and animation. I can say that it starts out familiar, a giant queen ruling over a kingdom of tiny subjects, but it breaks into some new ideas. It’s going to be sexy, of course, and a little dark, of course, but it’s going to be full of rich world-building that I’ve got a creative hand in. I think the fans are going to love it.

NOEL: Claudia, you are truly a queen in every sense. Thank you so much for sharing your time and your passion with us.

CLAUDIA: Thank you, Noel! This was so much fun.

NOEL: And that’s it for today, everyone. If you haven’t already, be sure to check out Giantess Tyanna’s work, and where’s the best place to find you?

CLAUDIA: Oh, I’m everywhere, just look for—aaahh!!

NOEL: No! Sveipagála! Not yet, we’re still filming! Sveipagála, stop!

SVEIPAGÁLA: Jeg kan ikke vente et jævla sekund til, din slimete alv. Du brukte for lang tid, jeg får krampe i hendene.

The camera pulls back, catching the furniture toppling into each other. Claudia, flailing, knocks the bottle from Noel’s hand. The gigantic fingers flinch and splay in pain, releasing their hold on the giantess’s entrance, which slowly closes. Screams are heard as the scene fades to black.